![]() ![]() ![]() Pleased as I was for its brief respite from Was the world really missing this?īesides the symptoms of acute musical jaundice, however, there are a couple of other small elements of the vocal production that bug me a little. Yes, Capaldi seems able to push his chest voice a little higher, and ekes out a bit more rock-style edge at his louder moments, but I honestly can’t help feeling a bit underwhelmed. Both voices boast an impressively ragged upper-register wail, yet aren’t shy about sprinkling in falsetto moments to underline the earnestness of their repressed emotions. Both artists sing as if doing their British best to avoid anyone glimpsing their teeth. I-V-vi-IV furrow familiar from hits such as Bob Marley’s ‘No Woman No Cry’, U2’s ‘With Or Without You’, and Jason Mraz’s ‘I’m Yours’. I was immediately struck by the similarities between this song and James Arthur’s
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